Collaboration with Viktor Pedersen
Single channel video with 6 channel sound. HD. Duration: 23:22 min

In this animated video, a digitally processed landscape merges plants and humans, leaves and skin, roots and mouths. Chewing and swallowing sounds anticipate a narrating voice that reflects on the inherently cruel metabolic condition of all animal life. Our skin, unable to perform photosynthesis, cannot craft the nutrients we need departing from the matter of starlight and the chemical components present in our surroundings—like plants are able to do. Therefore, we are essentially doomed to exploit the biochemical work of other living beings in order to survive. As argued by the narrating voice, the fact that we must take a life (or at the very least exploit a plant’s work) to stay alive is an inescapable biological feature of the animal body and a result of evolution. However, a general carelessness grounded in human exceptionalism and in the Western logic of extraction is preventing us from acknowledging this exchange with a sense of gratitude for the life we take or use.

​To See Without Man is a poetic attempt to make contact with the vegetal mind, in an effort to understand the plants’ modes of sensing their surroundings. Can mind-expanding symbiosis with plants lead us to a broader understanding of their ways of seeing, communicating, and remembering? Can the leaf as an energy-processing surface provide a practical tool to rethink extractive practices, those that are leading to an anthropogenic depletion of resources? Can photosynthesis provide a speculative framework to imagine a future in which the human body has learned to process starlight and has partly become vegetal?

Text by Vanina Saracino, written for Screen City Biennial 2022

Viktor Pedersen made the text, sound and voice over and I did the photogrammetry scans, 3D animation and video editing.

The 3D scanned plants are from the Nightshade family (Belladonna, Mugwort, and Tobacco) which are used for medicinal and ritual purposes, and are grown by Viktor Pedersen at home. 

Performative version shown in After School Special at Landmark, Bergen 2021
Video shown in Screen City Biennial, Archenhold Observatory in Berlin, and Coast Contemporary in Tromsø 2022, as well as Screen City Biennial in Stavanger Kunstmuseum 2025 and screened at the Nordic House, Reykjavik 2025.